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RELEASE
June 26, 2001
LABEL
Kilmarnock Records
GENRES
Pop/Rock, Jazz-Funk

Album Review

Remember the musical Hair? Remember the groovy rhythm tracks on "Let the Sunshine In" and "Where Do I Go?" Yeah, well, this guy here, Galt MacDermot, expatriate Canadian funk meister, is the cat who composed those jams -- and in fact the music to the entire play. This CD brings together two of MacDermot's original LPs, both of them released in the '60s -- one pre- and one post-Hair, one a session album and one a soundtrack, and both greasy in the future funk with cats like Idris Muhammad and Bernard Purdie laying down the beats behind the band. MacDermot is a driven pianist and organ grinder who sought one thing on these records: funky grooves. And he got them. Here's what's scary though: "Coffee Cold" (from Shapes of Rhythm) was recorded in 1966 -- prefiguring the rhythmic changes of James Brown's "Cold Sweat" in sequence and in key a full two years before Brown laid down his track. The feel of "Coffee Cold" is a bit whiter and smoother, but the jam is still an anthem, even with its cheese factor. MacDermot was a prophet of the groove that would overtake the late '60s and early '70s, and, were he a proud man, could have argued that more young musicians heard and took to heart the grooves he laid down in Hair than heard Allen Toussaint and Red Allen or Eddie Bo. The true feel of Shapes of Rhythm is like Vince Guaraldi's Schroeder laying out the piano funk, seeking the groove inside the rhythm section and laying it out there. It's tough if ornate and it shimmers with real heat. The other disc, a soundtrack for Martine Barrat's movie Woman Is Sweeter, is a much dirtier, rawer affair altogether, and would have been worth the price of the CD alone. Here guitars chunk up in the cut with the bass, and the piano floats in the accents as drums and bass reign supreme. This was recorded immediately after Hair, and MacDermot wasn't in the mood to simply lay out some incidental music to a hippie flick. He took it down to its essence: rhythm, polyrhythm, drums, bass, and filthy nasty funk at insanely fast -- for the time -- tempos that were in fact symbolic of the orgiastic nature of his compositions. This wasn't just sex music, this was group sex symphonic music made with only a handful of instruments. These two albums comprise 26 tracks of pure groove-driven genius, with a bonus vocal version of "Coffee Cold" that the producers go hog-wild over in their notes, but it pretty much sucks compared to the rest of this -- thank the gods they left it until the end. Yeah, you need this if you care about the influence of '60s groove at all. After all, Busta Rhymes did -- check out the sample of MacDermot's "Space" on the rapper's "Woo-Hah!! Got You All in Check."
Thom Jurek, Rovi

Track Listing

  1. Lady, You Look Good to Me
  2. Farmland
  3. Coffee Cold
  4. Marsh Gas
  5. If Our Love Is Real
  6. The Mouse Roared
  7. Tender Meeting
  8. M'Babam
  9. Field of Sorrow
  10. Alive in Dar-Es-Salaam
  11. Spanish Nights
  12. I'm Through With You
  13. Tango
  14. Fragments 1a
  15. Fragments 1b
  16. Fragments II
  17. Bass
  18. Cathedral
  19. Woman Is Sweeter
  20. Moving Clothes
  21. Bathtub
  22. Radio Rock
  23. Princess Gika
  24. Mery-Go-Round
  25. Space
  26. Perfume Bottles
  27. Coffee Cold